Vol. 6, Issue 2, Part D (2024)

The concept of the "male gaze," first theorized by Laura Mulvey in the context of film, has profound implications for the representation of women in theatre. This paper examines how the male gaze functions in theatrical productions, particularly in the portrayal of female characters. It explores whether these characters are granted agency or if they are undermined by the gaze that objectifies them. Using Tennessee Williams' A Streetcar Named Desire as a primary text, the paper investigates the character of Blanche DuBois, whose plea—"I don’t want to be looked at in this merciless glare!"—epitomizes the tension between her desire for autonomy and the oppressive scrutiny of the male gaze.

The analysis begins by outlining the theoretical framework of the male gaze, discussing how it manifests in visual and performative arts and its implications for female subjectivity. The paper then delves into how Blanche's character is constructed through the lens of male characters and the audience, examining key scenes that highlight her vulnerability and the power dynamics at play. By comparing Blanche's portrayal to other female characters in modern and contemporary theatre, the paper assesses whether theatre as a medium can transcend the limitations of the male gaze or if it perpetuates these dynamics.

Furthermore, the paper explores moments where female agency is asserted, particularly in how female characters navigate and resist the gaze. It considers the extent to which female characters, like Blanche, can reclaim their narratives or whether they remain entrapped within the expectations and judgments imposed by male spectatorship. Through this lens, the paper seeks to contribute to the broader discourse on gender representation in theatre, questioning how contemporary productions can challenge and redefine the dynamics of the gaze to empower female voices on stage.